Two women of note died this past week, singer Aretha Franklin at 76 and artist Mary Pratt at 83, both a tremendous inspiration, but I’m thinking of Pratt in particular today and the paintings highlighted in stories about her. Those jellies, oh those jellies, how they glow from within! Perfect jellies, clear and luminous, reflected also on the table. Many commentators noted how Pratt’s work honoured matters of domestic life. She made us look at the glint of foil, the cream and golden tones of egg shells in a carton, fish on a plate. (Google “Mary Pratt Artwork” Images for many examples of her work.) In turn, I wish to honour her for paying such magnificent attention.
One reason is that many of us, like Pratt, tried to balance domestic and “other” work, and if we remember, that wasn’t an easy task, was it? Who, in fact, ever achieves balance? But Pratt brought — or kept — often competing worlds together, when the temptation for her generation and mine was to wrench them apart or feel our domestic concerns disparaged by others. In Pratt’s work there’s no apology for jelly or a casserole dish in the microwave or the remnants of a meal. She acknowledges both their beauty and the labour they represent.
The other reason I wish to honour her is that aging has a way of setting us back into smaller, and domestic, settings. This isn’t to say we no longer get out or view grand vistas or participate in the storied drama of life. But those my age or older will know what I mean. And I also mean I want to really notice what’s around me now and how light still plays with broken eggs, foil, and jelly.